During my internship at Underscore Film, I assisted editor Cas Velthuis on a series of short artist stories for DGTL ADE 2024 intimate portraits exploring how musicians feel, experience and connect with music and the festival itself. Working under real production pressure, I developed my editorial instincts and deepened my understanding of how post-production shapes the way an audience connects with an artist's world. From assembling rough cuts to refining final exports optimised for social platforms, every project pushed me to think faster and cut sharper. This project laid the foundation for how I approach storytelling through editing today.